Bitter Greens begins with the story of Charlotte, exiled from the court of Louis XIV, the Sun King, and locked in a nunnery. Through her narrative, we learn that she was a vivacious courtier whose passion and wit would not be contained. Early in the novel, her mother tells the young Charlotte that she could have been a troubadour; instead, as an adult, she has left scandal in her wake and written some saucy stories that have gotten her banished from the king’s presence. Charlotte was a real person, and while Forsyth imagines many personal details, conversations, and relationships for her protagonist, the major plot points refer to actual events and historical personages.
Nested into this narrative is the storytelling of Soeur Seraphina, who begins to relate the tale of Margherita (or Persinette, which is French for “parsley,” a bitter green similar to the rapunzel plant) to the captive and captivated La Force as they work together in the nunnery’s garden. Margherita was a prisoner, too, taken from her loving parents and imprisoned in a tower where her fiery red hair is braided together with the hair of the tower’s seven previous inhabitants. She amuses herself by singing, attracting the interest of a young Italian nobleman passing by. This section of the novel differs slightly in tone from the rest, ultimately taking on a more mythical, symbolic quality like a fairy tale:
The panorama of dawn was the most beautiful thing she had ever seen. Vast and strange, the sky stretched above her, streaked with long clouds like a girl’s hair flying, coloured crimson and rose and blue and gold.Finally, Bitter Greens tells the story of Selena Lionelli, La Strega Bella, the beautiful witch who captures young red-headed girls for her own nefarious purposes. It is she who kidnaps Margherita, renames her Persinette, and tries to convince her that her parents abandoned her. But despite her cruelty, Lionelli manages to gain our sympathy through the telling of her own story. Her past as an orphan, a Venetian courtesan, and the muse of the painter Titian was, for me, the most interesting part of the novel.
Forsyth’s prose is confident and colorful. The stories of Charlotte and Selena are told in first person, while Margherita’s is told in third person. This contributes to the sense of distance and dreaminess that the fairy-tale retelling demands, while allowing Charlotte and Selena a presence and reality that helps readers to connect with them on an emotional level, despite the difference in customs and cultures.
Each of these stories sheds light on the others and La Force learns about both fortitude and kindness as she listens to Soeur Seraphina’s tales. What I particularly loved about the novel was its focus on the power of storytelling and of women’s voices. Sixteenth-century Italy and seventeenth-century France were not bastions of intellectual or personal freedom for women. Despite this, each of the three protagonists uses her voice to create her own destiny, even when everyone else tries to silence her. Bitter Greens shows the historical consequences and the personal cost of speaking out against power and the dominant ideology while still convincing us to share our own stories.
*This review originally appeared at FantasyLiterature.com, where I gave the book 4 1/2 stars.